Date archives "December 2020"
Toy Story
Holocene, by Bon Iver
Someway, baby, it’s part of me, apart from me
You’re laying waste to Halloween
You effed it friend, it’s on its head, it struck the street
You’re in Milwaukee, off your feet
And at once, I knew I was not magnificent
Strayed above the highway aisle
Jagged vacance, thick with ice
But I could see for miles, miles, miles
3rd and Lake, it burnt away, the hallway
Was where we learned to celebrate
Automatic bought the years you’d talk for me
That night you played me Lip Parade
Not the needle, nor the thread, the lost decree
Saying nothing, that’s enough for me
And at once, I knew I was not magnificent
Hulled far from the highway aisle
Jagged vacance, thick with ice
But I could see for miles
Christmas night, it clutched the light, the hallow bright
Above my brother, I and tangled spines
We smoked the screen to make it what it was to be
Now to know it in my memory
And at once, I knew I was not magnificent
High above the highway aisle
Jagged vacance, thick with ice
But I could see for miles
A Real Hero, by College
A Real Hero
Real human being
And a real hero
Back against the wall and odds
With the strength of a will and a cause
Your pursuits are called outstanding
You’re emotionally complex
Against the grain of dystopic claims
Not the thoughts your actions entertain
And you have proved to be
A real human being and a real hero
A pilot on a cold, cold morn’
One-hundred fifty-five people on board
All safe and all rescued
From the slowly sinking ship
Water warmer than, his head so cool
In that tight bind you knew what to do
And you have proved to be
A real human being and a real hero
Wordprocessor of the Gods, by Stephen King
The Reaper’s Image, by Stephen King
Red Right Hand, by Nick Cave & The Bad Seeds
In 1994, Australian musician Nick Cave was jamming with band mates to create new music for an upcoming album. He did not particularly like the repetitive and atmospheric groove they had come up with for one song, but when he began to pen lyrics for the music he focused on a story of a mysterious figure in black.
The song, Red Right Hand, has inspired many covers by other artists including the Arctic Monkey’s, PJ Harvey, and Snoop Dog. The song also found it’s way into the soundtracks of numerous TV shows and films including the X-Files, the horror-comedy series, Scream, and most notably as the theme song to the Netflix outlaw crime-drama, Peaky Blinders.
The repeating image of the Red Right Hand lends itself to interpretation. Nick Cave has never revealed who the mysterious figure is. The audience must interpret who he could be, based on context, and in the Peaky Blinders series the refrain ‘Red Right Hand’ occurs juxtaposed with killers, communists, and the IRA.
The phrase ‘red right hand’ is also associated with a line from John Milton’s lengthy poem, Paradise Lost, to signify the vengeful hand of God.
To this day, Nick Cave’s co-writer, Mick Harvey, has said that Nick never told him who the mysterious figure was intended to be (and perhaps the figure was always intended to be ambiguous, to allow the audience to participate in a the transactional experience of meaning).
Red Right Hand
Take a little walk to the edge of town
And go across the tracks
Where the viaduct looms
Like a bird of doom
As it shifts and cracks
Where secrets lie in the border fires
In the humming wires
Hey man, you know
You’re never coming back
Past the square, past the bridge
Past the mills, past the stacks
On a gathering storm
Comes a tall handsome man
In a dusty black coat with
A red right hand
He’ll wrap you in his arms
Tell you that you’ve been a good boy
He’ll rekindle all the dreams
It took you a lifetime to destroy
He’ll reach deep into the hole
Heal your shrinking soul
But there won’t be a single thing that you can do
He’s a god, he’s a man
He’s a ghost, he’s a guru
They’re whispering his name
Through this disappearing land
But hidden in his coat
Is a red right hand
You don’t have no money?
He’ll get you some
You don’t have no car?
He’ll get you one
You don’t have no self-respect
You feel like an insect
Well don’t you worry buddy
‘Cause here he comes
Through the ghettos and the barrio
And the Bowery and the slum
A shadow is cast wherever he stands
Stacks of green paper in his
Red right hand
You’ll see him in your nightmares
You’ll see him in your dreams
He’ll appear out of nowhere but
He ain’t what he seems
You’ll see him in your head
On the TV screen
Hey buddy, I’m warning
You to turn it off
He’s a ghost, he’s a god
He’s a man, he’s a guru
You’re one microscopic cog
In his catastrophic plan
Designed and directed by
His red right hand
Rear Window, by John Michael Hayes
Based on the short story by Cornell Woolrich.
George R.R. Martin
Richard Matheson
Stephen King has cited Richard Matheson as one of his early influences. Many of Matheson’s fantasy, science fiction and horror stories have been adapted to film or television. He wrote the screenplay for the first film directed by Stephen Spielberg, Duel, which brought Spielberg to the attention of the producers of Jaws, which really launched his career. Spielberg has said that if Jaws had failed in some way (the filming was beset with difficulties) his career would have been over.
Matheson also wrote for television and film. He wrote 16 episodes of The Twilight Zone, a very imaginative science fiction and fantasy television anthologies series.